November 1, 2005
Have you ever noticed that when you ask a kid what he wants to do, depending on age
and experience, you'll hear goals ranging from lofty but honest, like "I wanna be
the first person to walk on Mars" to the more jaded but equally honest, "I dunno."
If you ask an adult the same question, you're certain to receive a quizzical stare,
as if to ask, "Do I have a choice?" or "Isn’t this it?" Could it be that children
are open to new ideas because they have not yet encountered what adults call "the
real world" and that adults are surprised by the inquiry because it is so rarely
made to anyone in the middle stages of life? Everyone, young and old thrives on
the curiosity associated with the dawning of a new day. And while a child's
expectations might resemble fantasy —- "I want to be a rock star" -- and an adult's
will more predictably (and hence the predicament) fall into the realm of the mundane
-— "I wonder what would happen if I brought Twinkies to soccer practice," we all
need and want to ask and be asked questions. Questions suspend us beyond the moment.
They make us nervous about what’s around the corner. It's thrilling to consider
that we have not seen it all.
OPENING DAY
On September 19, we officially began the first 6-week session of Bird. Through its doors came
drummers, guitar players, bassists, singers and songwriters. Some had experience, some had
nothing more than a desire to get some and share it with others. I think I can safely say
that each of them is unguarded about exploring how old knowledge and new transfer into a
cooperative setting. It is also a sure bet that each and every one of these students will
at some time over the course of the session experiment with an instrument or musical idea
they’ve never touched before. We are looking forward to watching this group evolve and know
they’ll have a great time doing it.
SESSION 2 PERFORMANCE
Our next six week session starts today. When you sign on with your band, you promise to
learn, practice and finally perform your wares on December 11, along with the other Bird
bands of the session. On stage at Bird from 5:30 to 7:30 that evening, your friends and
family will find you sharing what you have to share. Ask them to bring earplugs.
YOGA
We welcomed 3 outstanding yoga teachers to our morning program. Each of them has created
his/her own class that integrates music into the movement that we have all found to be so
energizing, strengthening and grounding. It's an exciting combination that is sure to
translate to the younger set. Please be sure to check the website for bios
of this wonderful trio, schedules of their classes and special weekend
workshops catering specifically to children.
SCHEDULES, CAPACITY, DOWN THE ROAD
Because we anticipate construction occurring at Bird sometime in the near
future (pending finalized design and permits), our capacity is currently
limited by space and the equipment that will fit there. We are thrilled
to be able to provide right here, right now private lessons, band rehearsals
and recording capabilities.
Completion of the construction will allow us to do more of the same and the following:
4 Audio Work Stations capable of supporting up to 8 players at once
with complete studio recording capabilities, a host of learning tools and
endless sounds that can be accessed through the use of MIDI controlled keyboards.
Plug in and play along with favorite songs, record solo or with a group,
check progress, learn the theory behind the songs and use them as tools to write
original material.
3 sound-proof classrooms for private instruction and recording.
1 isolation booth for solo and group vocal recording.
Student Lounge/underground performance space, stage, lights and sound.
Recording technology like you read about with on-site instruction available.
The projected timeline for construction is:
December 11, 2005 -- Bird Session Two closes. 1924 Polk Street becomes a construction
zone. Enjoy the Holidays and less driving.
May 2006 -- Bird reopens — mark your calendars for the final six-week session of the
school year and a host of summer clinics and intensives. Consider writing a protest song.
Lane and I wholeheartedly thank you all for your support and enthusiasm over the past
few months. The fun is only just beginning. You all rock!
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Yoga 10-Class Card
Commit to your practice. If you know you can, save on individual classes and time
in registering. A 10-class card is available now for $100. We'll throw in a few
quarters to give you the most rewarding shvasana experience ever.
Blog Stands for Web Log
The BirdBlog is up and running. To start a band or
fill in your existing band, log onto the Bird website to view postings of local,
compatible musicians and post your own credentials.
For more information, visit the Bird website:
music
yoga
schedule
BirdBlog
membership
about
contact
home
Tips for Singers: Tips for Working on your Register
1. Sliding exercises can help induce laryngeal relaxation making
register transitions easier.
2. High notes: use them or lose them. As with any physical activity,
if you don't do it regularly, you will lose muscle tone. The same is
true for singing in your upper register. Voices tend to settle lower
and become heavier and sluggish if they are not exercised throughout
the entire range.
3. Vocalize at least one whole step higher than you plan to sing in
public. Psychologically, it produces a sense of empowerment and
positive attitude to know you could sing a step higher if you had
to. Physically, high notes need overtones to make them sound in
tune and not forced or screamed. Your highest notes in performances
will vibrate with overtones and sound more relaxed and in tune if you
exercise your voice higher than you plan to sing in public.
--from The Contemporary Singer: Elements of Vocal Technique, by Anne
Peckham, Copyright 2001 Berklee Press
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